Monday, 2 May 1955
I had been working for a few years freelancing cartoons to Boston advertising agencies and an upstart company across the river in Cambridge called Polaroid. I had illustrated two text books for D.C. Heath and Ginn, and I had sold a spread to True magazine. I earned about $5,000 a year, of which $4,200 was left after taxes. It was the Good Old Days after World War II when you could keep your records in a shoe box. I shared space in a studio in a low-rent building across from a hotel of dubious reputation on Boylston Street where I had a drawing table, a stool, and a lamp. Note the ashtray. We all smoked cigarettes. We also wore shirts and ties because that was the dress code in those days. The British butcher's apron came from the Artisan's on Newbury Street. |
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